A post-human paradise in LEGO

Engaging with LEGO bricks can be an act of play, a hobby, fandom, even an investment, but for some builders, LEGO bricks are an artistic medium just like clay or oil paints. Mihai Marius Mihu is one of those creators who uses the brick to explore big ideas, with motifs that carry over across works and even transcend mediums. After a long building hiatus, Mihai is back to LEGO with “The Garden of the Goddess,” a diorama in silhouette that serves as a culmination of  years of exploring this post-human future.  

The “ash giant” humanoid figure climbing the hill first appeared in Mihai’s underworld-inspired LEGO vignettes a decade ago, seemingly representing a husk of humanity. The goddess on the left, with her three black orbs, is featured in numerous drawings over recent years.  The statue of a face on the right is my favorite element, both for the startlingly lifelike human profile, and the effective use of Technic bricks to convey the geological timescales at play. It’s fascinating to see how Mihai’s ideas translated from sketch into LEGO model.

Mihai’s work often touches on the mythological afterlife, encounters with the unknowable, and human transmutation. It feels in conversation with fiction from Dan Simmons, Jeff Vandermeer, Octavia Butler and Ridley Scott. Work like Mihai’s doesn’t need to be explained. I’m just grateful that the artist allows us to follow his journey over the years, whether in pencil, music, or in brick.

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